Sync, 1 of 6 Monoprints in a series. Spirea, Watercolour Botanical Mono Print
Gyotaku Print hanging in fish market, Matthew Bednarik of Kanoya, Japan
by Elizabeth Gaye MacDonald, for Windsor Printmaker’s Forum Spring 2012 Newsletter
So, what exactly is a monoprint? Variations of this method of printmaking can be used in a number of different processes. The broad definition of a monoprint is a print that can’t be reproduced. To make a monoprint, a printmaker applies various media such as oil paint, etching ink, or watercolour to a flat surface. This medium can be manipulated in many ways to produce the final image. The chosen surface can be hand-rubbed or put through a press to transfer the image to paper, canvas or even cloth. Monoprinting is often referred to as a painterly method of printmaking, and is an excellent introduction to printmaking for both adult and youths.
Monprinting may also be used in conjunction with an etched plate. The printmaker may first ink and wipe his/her plate in the traditional way. Then, before running that plate though the press, he/she can add monoprint elements to the flat raised surface areas of the plate. This results in an etching with monoprint elements. This image cannot be reproduced exactly the same in successive runs of the etched plate.
There are other methods of printmaking that use monoprint techniques, but these are classed in a genre all their own, and include:
Nature or botanical prints – The process of inking a plant or a leaf and transferring the resulting image to paper or other surface, via a press or by hand-rubbing. This process, along with pressing and drying plants, was used to create a record of botanical species for future identification. Also included under Nature prints is a print or rubbing made from feathers or other animal parts.
Gyotaku – From the Japanese, gyo “fish” + taku “rubbing.” While this method of printmaking is actually derived from nature, it is considered a genre all its own. This traditional form of printmaking was established by Japanese fishermen to record their catch. They would apply sumi ink to the fish, and then rice paper would be placed over the fish. They would then hand rub the paper to transfer the image. This method of printmaking has become quite popular. Rubber fish poured from molds are available and are used in classrooms to teach Gyotaku to young children. This genre has also evolved into a fine art all its own. If you do an online image search with the word Gyotaku you will find incredible colourful images created from many different marine species.